Deepadahal

  https://www.datawrapper.de/_/qhZSO/ https://www.datawrapper.de/_/acsAc/ नेपालबाट ‘डिपोर्ट’ हुने विदेशी नागरिकको सङ्ख्या दिन प्रतिदिन बढ्दै गएको तथ्याङ्कले देखाएको छ । अध्यागमन विभागको तथ्याङ्क अनुसार सन् २०२२ को जनवरीयता मात्रा ५ सय ७० जना विदेशी नागरिक नेपालबाट डिपोर्ट भएका छन् । समय समयमा नेपाली नागरिकहरू तेस्रो मुलुकहरूबाट डिपोर्ट भएर स्वदेश फिर्ता हुने गरेका छन् । यद्यपि नेपालमा आउने विदेशी नागरिकहरू पनि उसैगरी डिपोर्ट हुने गरेका छन् । विशेष गरी ‘ओभर स्टे’ अर्थात् भिसा अवधिभन्दा लामो समय नेपाल बस्नेदेखि लिएर विभिन्न अपराध, लागू पदार्थ दुर्व्यसन जस्ता कारणले विदेशी नागरिक डिपोर्ट हुने गरेको अध्यागमन विभागका प्रवक्ता खिमराज भुसालले बताए ।  तथ्याङ्क अनुसार सबैभन्दा बढी डिपोर्टमा पर्नेमा भिसा म्याद सकिएर बसेकाहरूको सङ्ख्या रहेको छ । सन् २०२२ जनवरीबाट अहिलेसम्मको तथ्याङ्कमा भिसा म्याद सकिएर डिपोर्ट हुनेको सङ्ख्या ५३४ रहेको छ । त्यसैगरी अध्यागमन अपराधमा परेर डिपोर्ट हुनेको सङ्ख्या ११, लागू पदार्थ दुर्व्यसनका कारण पाँच, वैदेशिक मुद्रा अपचलनमा चार, हत्या प्रयासमा तीन, राजस्व चुह...

Manoj Neupane is a dynamic multimedia coordinator Journalist who has already given a decade to this industry. He is currently working as a multimedia coordinator for Ratopati.com. He was born and grown up in Fungling Municipality, Taplejung. He was a good student and pursued his bachelor’s degree in economics. His family had poor economic condition, so he had to work for his pocket money. He had interest in computers, so he learned it somehow and started training students. Whatever he learnt in the morning, he used to teach the same to his students during the day. He was earning for his further studies. After the completion of bachelor from Damak Multiple campus, he decided to travel to Kathmandu. Manoj Neupane’s Journey into Journalism began after he entered the capital city. He had already learned about video editing and basic computer skills when he was in his bachelor’s. That skill helped him to last in Kathmandu. He worked as a senior visual editor and edited serials like ‘Meri Ba...

Page 3 is one of those films which is made to expose societal sludge. Madhur Bhandarkar made this film compelling but it is overly pessimistic. This film is all about gossip, celebrities, film industry, party, and tabloid journalism. Early in the film, it is made clear that “Page 3” stands for the page of the newspaper, in which the social figures of the city are displayed, day in and day out, doing nothing more than attending parties and shows. It exposes the life of people whose lifestyle is peculiar and nasty. They care for nothing but fame, they crave for more money and a higher reputation. Film has exposed those characters who will do anything to get exposure in the media, to get their names printed on the daily newspaper’s column known as “Page 3” which will be the centre of people’s attention. The film industry is shown as corrupt, with casting couch being common among filmmakers. As the story unfolds, enters the upholder of the film, Madhavi Sharma ( Konkona Sen), who is a page...

Many poetry, stories, and novels are written about the suffering and love of mothers, but there are only few stories written in favour of fathers. And Karnali Blues is one of the ‘father’s’book. Karnali Blues depicts a father- son relationship where the narration is through the son (young boy’s) eyes. It tells how he sees his father throughout his entire life. The story begins with the narrator (son, Brishbahadur) recalling his younger days as he rushes towards hospital to see his father (Harshabahadur), lying on deathbed. The author has described the story from an eye of a small boy whose father is his superhero. And as plot unfolds, from the eyes of adolescent boy who learns that his father never failed to fulfill any of his needs. The book contains 11 chapters, those 11 chapters were 11 days he spent in the hospital with his father and recalls memories of him and his father. The family goes through many ups and downs when they moved from Matera, Katase to kalikot. And with the narra...